Showing posts with label independent film. Show all posts
Showing posts with label independent film. Show all posts

Friday, May 9, 2014

Call for Ottawa 2014 Film Festival entries

Call for entries – OIAF, Digi60, OIFF, OWFF, and CDFF

Five local film festivals are currently (or soon will be) accepting submissions for festivals taking place in 2014. And in case you didn't hear, I won first place in the Cellar Door Film Festival promo video challenge.



Ottawa International Animation Festival (OIAF)
Festival dates: September 17-21, 2014
Submissions deadline: May 16 (entry forms) and May 30 (preview DVDs)

Digi60 Filmmakers Festival (Spring Edition)
Temporary registration page here
Festival date: June 22, 2014
Submissions deadline: June 14 (the “catch” will be released on May 15)

Ottawa International Film Festival (OIFF)
Festival dates: October 15-19, 2014
Submissions deadline: June 30 (earlybird deadline ends May 10)

One World Film Festival (OWFF)
Festival dates: September 25-26 and October 2-3, 2014
Submissions deadline: June 30

Cellar Door Film Festival (CDFF)
Festival dates: TBD (Fall 2014)
Submissions deadline: August 15 (earlybird deadline ends July 15)

Thursday, January 24, 2013

CFI presents Hal Hartley cinema retrospective Feb. 1 - March 2

Hal Hartley

The Canadian Film Institute (CFI), in collaboration with the Embassy of the United States of America, is pleased to present American Possibility: The Cinema of Hal Hartley, a special retrospective celebrating the career of one of America's greatest independent filmmakers of the past quarter century.

Hal Hartley will be in Ottawa for the first three nights of the retrospective, February 1-3, 2013, to introduce and discuss his films with Ottawa audiences.

Renowned for his witty, articulate, sharp, often satirical and always compassionate films, Hal Hartley’s films have been showcased at film festivals such as Sundance, Cannes, Berlin, Toronto, Rotterdam, Melbourne and Sydney. His films have helped launch the careers of some of today’s biggest stars, including Edie Falco, Parker Posey, Martin Donovan, and Michael Imperioli.

“Hal Hartley is one of the most impressive and idiosyncratic contemporary American film artists,” says CFI Executive Director, Tom McSorley. “The CFI is proud to be bringing this critically acclaimed, internationally renowned American independent filmmaker to Ottawa.” In total, the CFI will devote six nights of screenings throughout February and early March to this special retrospective:


  • February 1st: Meanwhile (2012) 7:00pm and Trust (1991), 9:00 pm *
  • February 2nd: Possible Films: Hal Hartley Short Film Programme, 3:00 pm *
  • February 3rd: Amateur (1994), 7:00 pm *
  • February 27th: Henry Fool (1997), 7 pm
  • March 1st: The Girl From Monday (2005), 8:30 pm
  • March 2nd: Fay Grim (2006), 7 pm


*Hal Hartley will be in attendance on dates marked with an asterisk (February 1, 2, 3).

All screenings will take place at the Auditorium at 395 Wellington Street in Ottawa, except for the "Hal Hartley Short Film Programme," which will be presented at Club SAW, 67 Nicholas Street.

Tickets are $12 for the general public and $8 for CFI members, seniors, and students and can be purchased on-site with the box office opening half an hour before the start of the film

Tuesday, January 15, 2013

Microsoft to Premiere ‘Pulp’ on Xbox 360 in UK March 4

In a move that marks a radical shift in the way feature films are distributed in the United Kingdom (UK), Microsoft will premiere the British comedy feature film Pulp on Xbox 360 beginning March 4, 2013. The 96-minute comedy will become the first feature film to ever premiere on Xbox 360 and will be available to watch via the Xbox LIVE service in the UK.
 
An irreverent comedy set in a world where comic book publishing and international crime intersect, Pulp has become a favourite on the global festival circuit.

Pulp tells the story of Tony Leary, the nice-guy owner of Junk Comics, whose new superhero title, The Sodomizer, is to launch at the British International Comic Show, and nothing will stop Tony from making it a success. Nothing except a gang of Geordie criminals who are using another comic company to launder their dirty money. Tony is drafted by the police to identify the culprits and bring them to justice. Aided by his trusty geek sidekicks, Rick and Keith, Tony must defy the odds if he is to become a real-life hero.

dareemailfooter.jpgPulp stars Jay Sutherland, Gavin Molloy, Simon Burbage, Neil Jennings, Lee Ravitz, Sarah Alexandra Marks, Lucy Cudden and John Thomson.

Pulp’s co-director and producer, Adam Hamdy, said, “Microsoft might not seem like the obvious partner for an indie comedy, but the film industry has changed. Xbox 360 can instantly distribute Pulp to millions of UK customers, and publicize the release in ways that simply aren’t possible with traditional releasing models.”

The deal was brokered by Pat Nelson of SyndicateWorks, an innovative talent and brand management agency. “The Xbox 360 team saw Pulp, and immediately spotted the appeal the film would have to their audience. It’s fun, off-the-wall, and laugh-out-loud funny. Pulp’s equity based, independent finance structure meant the producers weren’t tied to a traditional release model, and were free to strike an innovative deal that we think might herald a new model for feature film releasing.”

Phil Bland, producer of Pulp, said, “Many people in the film business talk about the threat digital media poses to film, but, as newcomers to the industry, all we can see are opportunities. Microsoft is an exciting partner, and the fact they can release our film to millions of customers at the push of a button is very attractive.”

Pulp’s extended trailer, which features a now infamous ‘Star Wars’ scene, became an online sensation earlier this year, resonating with people around the world, as it racked up over a million views (http://www.youtube.com/watch?v=AGE0q_bQN4M).

Adam Hamdy is optimistic about the film’s prospects, “Pulp is not a remake, sequel or
adaptation of a board game. It wasn’t created by a committee of suits sitting in a
skyscraper in Los Angeles. It was born of a series of crazy events, and made by a group
of talented actors and dedicated filmmakers who fell in love with a nutty script. We had
a lot of fun making Pulp, and festival audiences who have seen the film say that fun energy shines through the film.”

Pulp was selected for the Just For Laughs Comedy Film Festival, and was nominated for the London Comedy Film Festival Discovery Award.

Phil Bland said, “Pulp has travelled the international festival circuit. Getting nominated for the Best Feature Film of 2012 at the Las Vegas Film Festival was probably our most surreal experience. Although Pulp may not be as polished as your average multi-million dollar Hollywood production, it has a rare charm and a wicked sense of humour that audiences really respond to."

Pat Nelson said, “The theatrical release model is now only financially viable for big budget films. Mid and low budget films are really struggling due to the marketing costs required to release theatrically. The DVD market is in decline and no longer supports that mid to low budget tier. If Xbox customers respond to the premiere of Pulp, this could mark a turning point in the industry and a seismic shift in how filmmakers reach their audience.”

Tuesday, August 7, 2012

Dov S-S Simens' 2-day film school sells sizzle and steak

Janet Hetherington and Dov Simens
Quentin Tarantino! Guy Ritchie! Will Smith! Stephen King! And now Janet Hetherington... all graduates of Dov S-S- Simens' 2-day film school.

Simens squeezed Ottawa into his globe-trotting schedule on August 4 and 5, 2012, which made me very happy. I had seen the ads and was intrigued. My key interest is screenwriting, but I wanted to know more about the industry.

Then Dov came to Ottawa and delivered the unvarnished truth.

It was a very hot -- the air conditioning at the Great Canadian Theatre Company wasn't functioning well -- and a very intense, jam-packed 2-day session. Producing. Directing. Screenwriting. Distributing. Protecting your work. Film vs. digital. How to shoot in 3D on an ultra-low budget.

Dov worked as a line producer for legendary indie film-maker Roger Corman. where he learned how to make films that are quick, cheap and most importantly, will sell. He passed along that knowledge with loud authority.

Dov Simens, Brooks Hunter and Dale Windle
Dov's key advice for "nobodies" like me with big Hollywood dreams... make an independently financed low-budget -- nay, micro-budget -- feature and get your name out there. He provided the blueprint to do it right here in Ottawa, but stressed that it's up to the budding film-maker to bring the originality and talent.

Dov also talked about how to raise money for each little epic. Some of the strategies were old-school (I kept thinking of Mel Brooks' "The Producers") and included strategies like "sell the sizzle, not the steak." However, Dov also discussed the new arena of crowdfunding through venues like Kickstarter (for U.S. citizens) and Indiegogo (which Canadians can utilize).

During the course, Dov revealed that he has been talking to Mark Burnett productions about being a judge on a reboot of the film-maker reality TV series "On the Lot." While not making films himself (he doesn't have the talent, he says, though he has a grand idea for a boob-a-licious feature), Dov is seeking investors for a new venture called Moviecloud.com, which would provide a virtual forum for micro-budget movie downloads.

After Day 2, Dov was joined by Canadian film-makers Brooks Hunter ("Kenneyville") and Dale Windle ("Rulers of Darkness") for a director and producer Q & A and pitch session, sponsored by A.C.T. (Acting for Cinema and Television), Aventus Films and Wired Wisdom.

I nervously pitched my contained horror feature "Basement," and while it wasn't the winning pitch, I came away with some useful notes on how to improve the story... and some colleagues who made the point of running up to me to say they'd love to see that film.

Now that's incentive to complete the screenplay and make the movie! (And yes, it's registered.)

 -- Janet Hetherington

Wednesday, July 27, 2011

Simon Pegg fights A Fantastic Fear of Everything


Indomina Group Vice Chairman and CEO Jasbinder Singh Mann announced today (July 27, 2011) that The Indomina Group, a U.S. and Dominican Republic-based producer and distributor of film, TV and transmedia content, has acquired North American distribution rights to the comedy A Fantastic Fear of Everything, starring Simon Pegg (Shaun of the Dead, Hot Fuzz) and produced by Keel Films.

A Fantastic Fear of Everything is written and directed by musician-turned-filmmaker Crispian Mills, marking his feature debut. He is joined by co-director and animator Chris Hopewell as part of a collaboration with Collision Films, whose award-winning work includes Radiohead’s There There and The Killers’ Smile Like You Mean It.  The film is produced by Geraldine Patten. 

In the film, Jack (Simon Pegg) is a children’s author turned crime novelist whose detailed research into the lives of Victorian serial killers has turned him into a paranoid wreck, persecuted by the irrational fear of being murdered. When Jack is thrown a life-line by his long-suffering agent and a mysterious Hollywood executive takes a sudden and inexplicable interest in his script, what should be his ‘big break’ rapidly turns into his ‘big breakdown,’ as Jack is forced to confront his worst demons--among them his love life, his laundry and the origin of all fear.

Starring Simon Pegg as Jack, and introducing Alan Drake, A Fantastic Fear of Everything also stars Amara Karan (The Darjeeling Limited), Clare Higgins (Hellraiser) and Sheridan Smith (Hysteria).

Currently being shot at Shepperton Studios in London, the film will be released in the U.S. through Indomina’s North American distribution division, Indomina Releasing. Universal Pictures will release the film in the UK, Germany, Australia, New Zealand and Latin America. Indomina’s international sales division will handle sales for all other territories. Indomina is also providing production financing.

A Fantastic Fear of Everything is the first film to receive backing from Pinewood Films, a new finance initiative for small-budget independent British films by the Pinewood Studios Group.